we're into ~sincerity
–about–

Sid Branca, #1 Hit, 2014. For GIFbites.

Sid Branca, #1 Hit, 2014. For GIFbites.

Hannah Black, My Bodies, 2014.

“I really think it is time to drop or at least question such standard notions in critical theory like commodification, fetish and desire. […] An understanding of commerce and branding in terms of morphogenetic transformations of matter, intensive differences in value and evolutionary or neuro-psychology suggests a need for new forms of criticality. Instead of semiotic deconstruction, we render and participate in the life cycles of brands; instead of diagnosing a perversion in our relationship with brands, we expand brand ecologies, their aesthetic and actual impact.”

—   Katja Novitskova,”Techno Animism" by Lauren Cornell in Mousse Magazine, 2014.

Petra Cortright, Tags for Likes, 2014.

Ann Hirsch, I, Decay Part II: Touch me again, 2013.

May Waver, Enlightening!, 2014.

May Waver, Enlightening!, 2014.

Rachael Archibald, Gold Watered, 2014.

15folds:

Dragrab
If you can’t do it by yourself, find something /someone to do it for you.
By Eva Papamargariti Artist/Designer, Larissa, Greece/London, UK.
Follow the Escape thread at 15folds.com

15folds:

Dragrab

If you can’t do it by yourself, find something /someone to do it for you.

By Eva Papamargariti Artist/Designer, Larissa, Greece/London, UK.

Follow the Escape thread at 15folds.com

Randon Rosenbohm, virginia woolf clip art [series], 2013.

Randon Rosenbohm, virginia woolf clip art [series], 2013.

(Source: bricesander)

“Today, when we see or talk about the female form on the Internet, we have this socially just culture that is critical of that rather than being complacent with it. I think now, in contrast to the past decade, women are really trying to reclaim their bodies.”

Alexandra Marzella, can’t hear u, 2014.

Alexandra Marzella, can’t hear u, 2014.

Angela Washko, Millionaire Worthy: A Primer (Home Edition), 2013.

Molly Soda, love letters [series], 2014.

Molly Soda, love letters [series], 2014.